In Bruges

Whoever made the trailer for In Bruges should be shot. To take an excellent, original, piece of work and make it look like an average, everyday, comedy must have taken some effort. I can only assume that it was done on purpose in order to bring in larger crowds.

I never really considered going to see the film in the cinema after watching the trailer. Even after it came out on DVD and my housemate bought it I let it sit on the side for about a month before finally watching it over the Easter Weekend.

The film begins with a simple enough premise – two Irish hitmen (Colin Farrell and Brendan Gleeson) flee London after a job and hideout in Bruges on their bosses orders. The first twenty minutes or so go as expected with some great witty banter between the two. However, there is an uncomfortable atmosphere that hangs over the comedy, created by bleak backdrops and a melancholy soundtrack.

Eventually the reason for the depressing feel is revealed and the film becomes one of the best black comedies that I can remember seeing. Farrell and Gleeson are superb and do a great job with some excellently written, witty dialogue. While the soundtrack and direction are impressive, it is the two of them that control the mood of the film throughout, making you laugh out loud one minute and then stopping you in your tracks without ever making it feel forced.

It’s difficult to talk about the film too much without stepping into ‘spoiler’ territory, and this is definitely a film that should be watched with as little prior knowledge as possible. So if you haven’t seen it yet then I would definitely recommend it – especially if you’ve avoided it because of the hideous job they did promoting it in the first place.